During compositional development, telling shapes are drawn and redrawn in relationships which speak to a specific concept or idea. After rounds of radical eliminations and adjustments, these shapes are traced onto a master sheet that I refer to as a pattern. Pattern in hand, subsequent selection of colored shapes and their relationships determine the impact of each work. From this, often a series of related work results, executed in variants and colorations of that single motif.

CLASSICAL RAILS no. 1 Unavailable - details	CLASSICAL RAILS no. 2 Unavailable - details
RAILS 1 and 2 shown together Unavailable - details	w. BALCONIES no. 2 Available - details
MIDWAY - details	CHRISTO UNDONE - details
Wat(I) - details	Wat (I) (w chair) Unavailable - details
Wat (II) Unavailable - details	with Balconies Available - details
with Flags Available - details	Gate (I) Unavailable - details
Wall (I) Unavailable - details	Stepdance No. 2 Available - details
Stepdance No. 15 Unavailable - details	Stepdance No. 17 Unavailable - details